“I'm still here” | Anatomy of a scene

Hello, I’m Walter Salles and I’m the director of “I'm still here.” We are half-hour after the film in the center of the family. Eunice Paiva is portrayed by Fernanda Torres and Rubens Paiva by Selton Mello. Here every little thing conveys a sense of normality: the sunshine, the sounds from the beach, the intimacy of the dialogue. But then this harmony is interrupted by the invasion of the home by the military police. Now the camera kept the instability of the situation and pulsates with the characters. Rubens is announced that it’s taken for a survey. He tries to pretend that the situation is under control, but we feel that this will not be the case. Eunice's weak points for the primary time within the film. From here, Eunice's arch begins to take shape. From this point on, your complete scene revolves around subtraction. Subtraction of sunshine closed because the curtains, subtraction of noises from outside. Subtraction of music. If considered one of the five children within the couple, Nalu, enters the home with a friend, each Eunice and the military officers attempt to do as if normality still exists, however it not does. Nalu, played by Barbara Luz, leads us into the daddy's room. It is a very important scene, the last conversation between a father and his daughter, who staged me when the true nalu told me that it happened. There is an odd intimacy on this exchange, underlined by the love of the daughter and the daddy's desire to increase this moment. And then we understand why intimacy was illusory. This is an improvisation that was created on site with actor Luiz Bertazzo. He begins to look into the family's intimacy. Moments like this respiratory of the sequence of life. Rubens reappears and prepares to be taken away for the survey. He tries to create a sense of strange again. Here the last hug between Rubens and Eunice is framed by the military officers and emphasizes a sense of suffocation in a once secure place, the family house. This is the primary of the one two close -ups in your complete film. We saved it for the last look between Rubens and Eunice. From here we’re along with her. “I'm quiet here” might be your film.