Chanel is on the lookout for a creative revival. Is Mathieu Blazy the appropriate person for the job?

Chanel, some of the famous luxury houses, has been at a crossroads for several months. After Karl Lagerfeld's death in 2019, Virginie Viard, his longtime right-hand woman, took over the role of creative director. However, Viard announced her resignation in June 2024, marking a pivotal moment for Chanel because the seek for a brand new artistic director begins. The next creative director faces high expectations: he’ll usher in a brand new chapter for Chanel, redefining its aesthetic while honoring its storied legacy.

The challenge is monumental. Karl Lagerfeld, who led Chanel's artistic vision for over three a long time, left an indelible mark on the style world. Known for his signature ponytail and witty remarks, Lagerfeld has masterfully balanced the home's heritage – shaped by founder Coco Chanel – together with his own visionary creativity. His influence was so profound that it seemed almost unattainable to assume Chanel without him.

Brand dynasties

To understand the challenges of a successful leadership transition, you have got to take a look at a fashion house as such just like a dynasty. Similar to monarchies, where successive rulers embody power in their very own unique ways, the artistic directors of fashion houses are reinterpreting a brand's heritage and making it their very own. Since Christian Dior's death in 1957, for instance, six creative directors – from Yves Saint Laurent, Marc Bohan, Gianfranco Ferre to John Galliano, Raf Simons and Maria Grazia Chiuri – have left their mark on Dior's identity.

When a brand new artistic director joins a house, they delve deeper into it heritage: the founder's vision, iconic designs, symbols and associated locations. They resolve which elements to spotlight and reinterpret, sometimes reviving lesser-known elements to refresh the brand's image. Lagerfeld did this brilliantly for Chanel, constructing his legacy on materials like tweed and quilted leather, black and white colours, and symbols just like the camellia and double C logo. Over the course of 25 years, he has continually reinvented these codes while introducing recent ones, similar to the lion, an homage to Coco Chanel's star sign, which became a jewellery icon.



Chanel artistic director Karl Lagerfeld waved goodbye. At his side was Viriginie Viard, who would succeed him a few months later.
Virginie Viard could have been a sort of transitional sovereign after Karl Lagerfeld's death (photo taken on the Chanel show in October 2019).
FashionStock.com/Shutterstock

The fragility of transitions

Leadership changes are notoriously difficult for fashion houses. The departure of a creative director can have devastating consequences. Lanvin, for instance, never recovered after Alber Elbaz – once described as fashion's darling – left the brand. A revolving door of successors did not rekindle the magic he brought with him. Likewise, Gucci's sales plummeted following the departure of Alessandro Michele.

On the opposite hand, a brand new director can breathe recent life right into a brand. Hedi Slimane's tenures at Saint Laurent and later Celine brought each creative reinvention and increasing revenue. His work revitalized the brands and satisfied customers, press and shareholders alike. This underscores the critical importance of choosing the appropriate successor – a call fraught with strategic implications.

The danger of stagnation

Some directors rely heavily on a brand's heritage to strengthen their identity. Virginie Viard, for instance, drew largely from Chanel's heritage, incorporating iconic elements similar to tweed, two-tone ballet flats and floral chiffon.

However, this approach carries risks “mummify” the brand.where collections turn out to be repetitive and lack innovation, resulting in audience fatigue. Chanel's final years have shown signs of this stagnation. Viard's exit marks the top of a cycle and the urgent must redefine Chanel's creative vision.

The danger of clinging too closely to the past is missing market trends. Fashion has evolved with the rise of athleisure – a mixture of sportswear and on a regular basis wear – sustainable fashion, understated luxury and the influence of latest designers.

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The dangers of demolition

Some creative directors are inclined to distance themselves from a brand's heritage. While this approach can bring recent energy, it risks destabilizing the brand's legacy if it goes too far – a possible flashpoint for backlash. For example, when Heidi Slimane joined Yves Saint Laurent, he renamed the home by dropping “Yves” from the name, sparking a wave of criticism from loyal fans on social media.

Slimane further broke away from the brand's heritage by introducing a really personal aesthetic that deviated significantly from its history. At Céline he pursued an identical strategy and boosted sales for each labels together with his clear vision. However, this approach often complicates the duty for his successors, who struggle to determine aesthetic continuity. Successive style changes can confuse the market and undermine the brand's identity and heritage.

The success of a brand new artistic director also will depend on how cultural intermediaries – journalists, influencers and celebrities – perceive their work. Fashion houses strive to support these tastemakers by showcasing the director's creativity and decoding their vision for the general public.

A vital turning point for Chanel

Chanel now faces a defining moment: the necessity to reinvent itself with caution and creativity. While respecting its heritage is a top priority, daring decisions could also be required to make sure Chanel maintains its place amongst the main fashion houses. This delicate transition offers the brand a possibility to write down a brand new chapter that is still true to its past while facing the challenges of the long run.

The alternative of Chanel's next artistic director won’t only shape the evolution of the home, but additionally influence the whole fashion industry, which is watching this transition with great interest.

image credit : theconversation.com